Subjunctive rearticulation project
In the development of . . .
on the artificial surface of . . .
fortune telling avatars, descend in
irresistible shadow side show operatics
plastic cover DDT agents
well throughout
strictly protracted broader
mark histories global
visual arias
mini reasons and mini version of . . .
offering painted clay figures
for cenotaphic surrender
weeping laughter
broadcast opportunist slogans
“for where would they be without us”
and from one hundred years ago:
“for where would they be without us”
and five hundred years before that:
“for where would they be without us”
and before that:
“for where would they be without us”
it is another night
of groaning doom production
caroling rhythmic digging
foretelling of a succession
falsely conceived
limitations and errors
on perfections
atomic creation bodies
on the artificial surface of . . .
fortune telling avatars, descend in
irresistible shadow side show operatics
plastic cover DDT agents
well throughout
strictly protracted broader
mark histories global
visual arias
mini reasons and mini version of . . .
offering painted clay figures
for cenotaphic surrender
weeping laughter
broadcast opportunist slogans
“for where would they be without us”
and from one hundred years ago:
“for where would they be without us”
and five hundred years before that:
“for where would they be without us”
and before that:
“for where would they be without us”
it is another night
of groaning doom production
caroling rhythmic digging
foretelling of a succession
falsely conceived
limitations and errors
on perfections
atomic creation bodies
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