Aleš Debeljak
CELEBRATION OF THE IMPOSSIBLE TESTIMONY AND VISION IN MY ARS POETICA
I, me and myself: the eternal burden and occasional pleasure of focusing on the self in poetic utterings is a trans-historical legacy of highest order. It has little to do with particular stylistic periods in a refinement of poetry and refuses to be seen as merely a fruit of modernity. While it is true that only in post-Rennasisance culture in humanist Europe does the self become a central pillar of artistic work, it was since the time of ancient pre-Socratics that the self was present in its explorations of cosmos. Pre-Socratic engagement with the personal which is at the same time social, metaphors that reach in mineralogy, mythology and astronomy with equal veracity, easy blending of diverse genres in a writers' pursuit of ideal balance of good, beautiful and true: this is for me an inspiring literary dowry when I attempt to weave my way through verses read, rivers crossed, books of poems published. This is for me a legacy with which I am stounchly obssesed even though I am aware of its vaguely absurd tinge. more....
ALES DEBELJAK : Addict's Song
In the mirror across from our bed
the image of a paradise rises halfway
and the scent of island lavender
wakes up a thunder in the spine.
Unannounced and impossible to restrain,
its sound rips the arc of the body open
down the middle. To endure the rhythm
dictated by a dark silhouette of grace
and a blossom that smells sweetly
even when closed. more...
From: SLOPE fall / winter 2005
CELEBRATION OF THE IMPOSSIBLE TESTIMONY AND VISION IN MY ARS POETICA
I, me and myself: the eternal burden and occasional pleasure of focusing on the self in poetic utterings is a trans-historical legacy of highest order. It has little to do with particular stylistic periods in a refinement of poetry and refuses to be seen as merely a fruit of modernity. While it is true that only in post-Rennasisance culture in humanist Europe does the self become a central pillar of artistic work, it was since the time of ancient pre-Socratics that the self was present in its explorations of cosmos. Pre-Socratic engagement with the personal which is at the same time social, metaphors that reach in mineralogy, mythology and astronomy with equal veracity, easy blending of diverse genres in a writers' pursuit of ideal balance of good, beautiful and true: this is for me an inspiring literary dowry when I attempt to weave my way through verses read, rivers crossed, books of poems published. This is for me a legacy with which I am stounchly obssesed even though I am aware of its vaguely absurd tinge. more....
ALES DEBELJAK : Addict's Song
In the mirror across from our bed
the image of a paradise rises halfway
and the scent of island lavender
wakes up a thunder in the spine.
Unannounced and impossible to restrain,
its sound rips the arc of the body open
down the middle. To endure the rhythm
dictated by a dark silhouette of grace
and a blossom that smells sweetly
even when closed. more...
From: SLOPE fall / winter 2005
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