Excerpt from the novel A Strange Commonplace by Gilbert Sorrentino, published by Coffee House Press
Rain
The fathers:
and their lost children on gray and hopeless Saturdays: after the puppet shows and the botanical gardens, the parks, the zoos and rowboats; after the ice-cream sodas and hamburgers, the hot fudge sundaes and roller coasters, the Yoo-hoos and Shirley Temples; after the loose change pressed into the dirty, sticky little hands, the dollar bills; after the museums and museums and museums and pony rides, the Cracker Jacks and new sneakers and toy fire engines and dolls and hair ribbons and plastic barrettes; after the thin fake smiles and the small talk with the wives’ understanding and kind and reliable new boyfriends, the sharp words about meager child support and clothes for school; after ruining their shoes in the rain, after their sodden overcoats, the dark bars where nobody knows them but where the children get their 7-Ups on the house; after the introductions to Graces or Mollies or Annes or Elaines or Lindas or Charlottes or Anybodies dressed so as to look serious, so as to look like Moms, to look like Somebodies who could be Moms, who were just like Moms, just as good as Moms; after the long nights later over whiskey and beer and worries about how nothing had gone right; after the movies, the ice-cream parlors, the diners, the melted cheese sandwiches, the pizzas, the aimless walks; after the friends who say how big the children are getting, how pretty, how smart; after the long trips back to the wives’ little apartments in Bensonhurst or Washington Heights or Bay Ridge or Marine Park or Park Slope or the Lower East Side or Sunset Park or Brighton Beach, Ozone Park, Kew Gardens, anywhere; more...
Gilbert Sorrentino in conversation with Barry Alpert
The fathers:
and their lost children on gray and hopeless Saturdays: after the puppet shows and the botanical gardens, the parks, the zoos and rowboats; after the ice-cream sodas and hamburgers, the hot fudge sundaes and roller coasters, the Yoo-hoos and Shirley Temples; after the loose change pressed into the dirty, sticky little hands, the dollar bills; after the museums and museums and museums and pony rides, the Cracker Jacks and new sneakers and toy fire engines and dolls and hair ribbons and plastic barrettes; after the thin fake smiles and the small talk with the wives’ understanding and kind and reliable new boyfriends, the sharp words about meager child support and clothes for school; after ruining their shoes in the rain, after their sodden overcoats, the dark bars where nobody knows them but where the children get their 7-Ups on the house; after the introductions to Graces or Mollies or Annes or Elaines or Lindas or Charlottes or Anybodies dressed so as to look serious, so as to look like Moms, to look like Somebodies who could be Moms, who were just like Moms, just as good as Moms; after the long nights later over whiskey and beer and worries about how nothing had gone right; after the movies, the ice-cream parlors, the diners, the melted cheese sandwiches, the pizzas, the aimless walks; after the friends who say how big the children are getting, how pretty, how smart; after the long trips back to the wives’ little apartments in Bensonhurst or Washington Heights or Bay Ridge or Marine Park or Park Slope or the Lower East Side or Sunset Park or Brighton Beach, Ozone Park, Kew Gardens, anywhere; more...
Gilbert Sorrentino in conversation with Barry Alpert
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